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Follow us on Twitter. Undead Subculture provides an exceptional read on the Goth subculture, which itself proves a unique subject for any subcultural study. This book is for those who want to delve into the dark waters of the Goth subculture or for anyone who just wants to learn a little more about the origins and orientations of an often misunderstood and misrepresented subculture.

Undead Subculture is an incisive book on the subject. The very idea of trying to encompass everything from musical tastes, to the spiritual practices of Goth without exhausting potential readers is what makes this book a great read.

Five out of five coffins! Undead SubcultureLauren M. Goodlad and Michael Bibby's collection of scholarly essays the first such book devoted solely to the scrutiny of all things goth, the editors claimsucceeds when its contributors take clearly delineated topics and time frames Tim Burton's nostalgia for s and '60s monster movies, or Buffalo's nightclub scene from to as their objects of inquiry.

For researchers from any discipline it will be required reading for goth-related research; for general as well as detailed information. Editors Goodlad and Bibby manage to take a marginalized area of popular culture and turn it into something everyone can and will relate to. Undead Subculture speaks to a broad, though educated, audience. From masochistic fashion to Buffy the Vampire Slayerthis powerful text illuminates the historical and theoretical impact of the Gothic subculture, taking readers on a ride through Tim Burton films, Poppy Z.

Brite novels and everything in between. No stone is left unturned as the text offers a multitude of visual examples throughout, my favorite being a CD cover of Gen from the Genitorturers clad in leather biker-gear while piercing her tongue with some kind of skewer.

This book helps to strategically place goth within a nexus of music, fashion, literary, and related subcultural phenomena. An extensive bibliography facilitates further research. Goth style is thus both dizzyingly heterogeneous and instantly recognizable. It is hard to imagine a single book that could do this subculture justice; yet by assembling contributors from a range of disciplines and judiciously including many voices of subcultural participants themselves, Goth: This collection will be the definitive work on its topic.

If you are requesting permission to photocopy material for classroom use, please contact the Copyright Clearance Center at copyright. Please check the credit line adjacent to the illustration, as well as the front and back matter of the book for a list of credits.

You must obtain permission directly from the owner of the image. Occasionally, Duke University Press controls the rights to maps or other drawings. Please direct permission requests for these images to permissions dukeupress. For book covers to accompany reviews, please contact the publicity department.

Instructions for requesting an electronic text on behalf of a student with disabilities are available here. Undead Subculture is the first collection of scholarly essays devoted to this enduring yet little examined cultural phenomenon.

Twenty-three essays from various disciplines explore the music, cinema, television, fashion, literature, aesthetics, and fandoms associated with the subculture. A number of the contributors are or have been participants in the subculture, and several draw on their own experiences. The essays include an interview with the distinguished fashion historian Valerie Steele; analyses of novels by Anne Rice, Poppy Z. Other essays focus on gothic music, including seminal precursors such as Joy Division and David Bowie, and goth-influenced performers such as the Cure, Nine Inch Nails, and Marilyn Manson.

Gothic sexuality is explored in multiple ways, the subjects ranging from the San Francisco queercore scene of the s to the increasing influence of fetishism and fetish play. Together these essays demonstrate that while its participants are often middle-class suburbanites, goth blurs normalizing boundaries even as it appears as an everlasting shadow of late capitalism. She is the author of Victorian Literature and the Victorian State: Character and Governance in a Liberal Society.

He is the author of Hearts and Minds: Sign up for Subject Matters email updates to receive discounts, new book announcements, and more. Create a reading list or add to an existing list. Sign-in or register now to continue. Undead Subculture Editor s: Goodlad and Michael Bibby 1 I. Holmes 79 Men in Black: Friedman The Un Australian Goth: Religion and Parareligion in U.

Holmes Rebecca Schraffenberger David R. Permission to Photocopy coursepacks If you are requesting permission to photocopy material for classroom use, please contact the Copyright Clearance Center Gay male wedgie fetish copyright. Disability Requests Goth or fetish books for requesting an electronic text on behalf of a student with disabilities are available here.

If book has an editor that is different from the article author, include editor's name also. Title of the journal article or book chapter and title of journal or title of book 3. Page numbers if excerpting, provide specifics For coursepacks, please also note: The number of copies requested, the school and professor Animal fetish site For reprints and subsidiary rights, please also note: Your volume title, publication date, publisher, print run, page count, rights sought.

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The topic inevitably insults conservative sensibilities. Sex work — a broad category that encompasses everything from brothels to numbers — has been demonized since the beginning of human history. But Allie Eve Knox isn't here to argue the ethics. For the cam girl of four years, sex work is about independence and fighting the proverbial power.

Before then, "I was dying inside from working for nothing, working for the man, and wasting my life away in traffic. It's obvious she enjoys sharing the backstory of how she came to be crowned the Cammy Awards ' Fetish Performer of the Year; own and control her three independent adult entertainment websites; and, most recently, be on the front lines of the technology that could reshape the digital adult industry forever. But like millions of Americans who choose to pursue a secondary education, Knox left school with debt in the six-figure range and a job that barely made ends meet.

So in , a highly educated but broke year-old jumped in with the now-defunct Playboy Live. Because of the 'no hardcore' rules, the site didn't have the pressure to do stuff you didn't want to do.

You could legitimately have people pay you to work out, cook dinner, or just hang out smoking naked. But it's far from that simple. When the subject of sex work gets brought up at the dinner table, someone will inevitably turn the conversation to the horror stories we in the suburbs hear and ignore too easily: Camming can sometimes fall into a gray area.

It could just be a single man renting out his spare room to a college student in exchange for doing shows — he'll pocket all the profits — or organized crime syndicates making promises to girls they have no intention of keeping. As long as there's been sex, there's been sex for sale, and wherever there's money to be made, there will be people taking advantage of the situation.

None of this should be news to you. What might be surprising, however, is how financially similar the situation can be in the First World even for successful, of-their-own-volition performers like Knox.

But Knox wasn't a barely legal girl hoping to make a few bucks before going to bed or experimenting with camming on a dare. She was a lifetime high achiever committed to making a career of it. There was some trial and error, she admits; her first foray into male-female porn was far from a positive experience: I was also put into a really scary situation once due to my agent's ineptness.

After picking up a number of loyal clients through major channels, she started shooting her own videos, putting them up for sale on her personal sites — avoiding those absurd streaming site cuts as much as possible — and playing to her audience.

One of Knox's sites contains for-sale clips of her feet, her giving a blowjob while she's wearing clown face paint, her smashing a cake before eating it with her toes, and her tickling herself with a feather. And that's just the first page.

Then, of course, there's domination, her most lucrative niche: I'm sure there is some deep-seated shit with the majority of them, and they use fetish work as their form of therapy. I absolutely cater to them. The longer Knox talks about her day-to-day life and the ways she makes decisions, the more you realize it's all business to her. There's play to be had occasionally — she genuinely enjoys some of her longtime clients, and apparently, "shooting girl-girl porn is really, really, really, really fun" — but it's all approached strategically: Three weeks of porn shoots a year just to make sure she keeps her name in the industry mix.

Working extra to satisfy her longtime, loyal customers. Launching more and more websites, each designed entirely by her to attract a different type of customer. All so that she doesn't have to sit in traffic ever again. I work for myself now, create content that is fun and interesting, make more money than I ever thought possible, and call every fucking shot when it comes to my brand. I don't have to answer to anyone and I can basically do and say as I fucking please.

She's not just banking on being attractive and her ability to juggle dildos available for tokens on MyFreeCams. Shooting her own material means she's collecting film equipment. She actively maintains industry contacts and is at the point where she brings in other cam girls and adult actresses to film scenes herself.

This gig may have started with a night of half-naked chat via Playboy, but over the years it's grown into a sprawling, fetish-celebrating Empire of Weird. And now her story poetically comes full circle, as she begins working to correct the issue that's plagued her and all other online sex workers since the beginning. Anyone that uses the internet for more than Facebook and pot pie recipes has heard of Bitcoin by now.

Without getting into hours of techno babble that's barely understood by the developers themselves, the main advantages of it and the many other cryptocurrencies out there is that they're nearly impossible to track by governments, banks, and law enforcement, plus extremely cheap and discreet to transfer — perfect for the adult entertainment industry. The financial issues faced by sex workers online are far more complex than just the aforementioned cuts major operators claim.

Knox has had several accounts shut down in the past: PayPal, which she was using for her financial domination clients — "not [sex work] in a literal sense," she claims — prohibits any transactions related to "certain sexually oriented materials or services. Banks have shut her down. Wife calls credit card company and files fraud, then the site does a charge-back.

Happens all the time. Knox didn't get in on the ground floor of SpankChain — though if you've learned anything about her personality so far, it won't surprise you to hear that she hounded the company daily for over a month until they hired her. I totally believe they are on to something," she says enthusiastically.

I can take a payment from someone and not get any of their information and not give any of my information out. I can't have someone claim fraudulent charges and have a chargeback where they take my money from me. I don't have to deal with a site shutting me down for wearing a kitten ear headband and calling it bestiality. Yes, that's a real thing. Most of us don't try to solve problems when they first present; it's half human nature, half practicality.

When your cable goes out twenty minutes before The Bachelor finale, you find a way to watch it live on your computer, and only get on the phone with Comcast after you see who got the final rose. When the adult industry is claiming two-thirds of your income, you find an independent workaround, and once you're an established player, you come back to change the game. None of this is to say SpankChain or Knox's work is going to end trafficking or the sometimes horrendous conditions that taint the sex work industry.

But does it fight a grossly unfair system for performers? Is it the next logical step for independence in online adult entertainment? In its niche, is it a revolution?

Knox would later add one more thought about her stake in SpankChain: I had a rough childhood. I watched my parents murdered right before my eyes. Shot point-blank by some two-bit thug. So I ran away from Gotham and wandered the earth, until eventually Liam Neeson found me in an obscure Asian jail.

He gave me a home, taught me to fight, and showed me the true meaning of justice meant wearing black rubber latex and speaking really deeply.

Courtesy Allie Eve Knox "Sex workers and non-sex workers will be using their tech for years to come. Then I killed him with a flying commuter train.

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